There had
been small packages arriving through the mail in the past
months. Photographs of paintings by Knud Odde. I liked the
idea writing about something. A musician a painter a man
from Copenhagen. I wrote some facts memories from a conversation
we had back then March til May 96. The facts got lost due
to a technological mess. It did not feel right, reconstructing
the reconstruction. The same thoughts did not reappear anyway.
I let myself be led by chance. Pretty much how all had happened
then...
I hadn´t visited Copenhagen for a few years. Today
I could feel that feeling through those supergusty winds
blowing in my face, above a brilliant sun. And the winds
don´t stop. Love wandering the streets. All seems
so steady, outlined on the outside. But even on Sundays,
there are emotions there, stirred up with a knife. Filling
the streets with desires and demons. Walking wildly. Art
music design stuff all seems so interconnected. Everything
is so nearby. Gardens, palaces, ships, democracies, collaborations,
seascapes, libraries. I grasp, learn, outline. Just won´t
stay one. Doublings, triplings of lineaments. So shaken
up. A great moment for musicial transcriptions. A woman
waiting to be clothed with sun. There is a tradition of
realistic painting and of gestures. Looking for the outlines.
Forces the gaze to cross all kinds of boundaries smoothly.
Sundays, the most quiet Sunday ever on one of my photographic
strolls, I find the city plastered with many posters of
a familiar image, a painting by Karen Kilimnik. Image: Portrait
of a girl with a strawberry in her open mouth, an advertisement
for "Unspoiled Monsters" a long-awaited record
by the Danish pop-band Sort Sol. Black Sun. Knud Odde has
been part of it for a very long time. Still holding memories.
Responding to constellations. Like the fact of Knud sending
me some pictures of his paintings on paper.
A certain look there is. Memorials to moments. A hint of
something baroque. Scattered islands of art. Relations to
Karen: Recycling images of popular cultures. Not just Rock
n´Roll any more but Search n´Search and Collecting
n´Constructing and Step n´Store. Something can
be found. Like that.
There are human figures as sites for desires and bits of
luminous laziness. Falling failing falling. Held together
by a certain lineament. Findings: vogueing on paper, posing
up: Singer Henry Rollins of Black Flag, Giacometti, symbols
of man. Old Pin Ups, old-fashioned stuff, groups of black
musicians, and found words too... some debris from daily
life. Crossing the boundaries of expectations both public
and private. Doo Wop and Punk. Living on that that on desire
and some flowers. Like in those great mannerist movements
my gaze is intensified.
Never-ending soundtrack, wind as noise-music, back in my
face. Face falling into the frozen grass. It must be found.
Imagination is not dead. Oh, and then comes the light and
then comes the sun. There is sensual enjoyment of elements
with the gravitiy of a memento mori. There is funny dissonancing
in the shape of the figurative. Adopted, borrowed, digested
and turned inside out. There is a liking for outsiders´
attitudes, outsiders´ art and artists who have already
processed that notion especially K. Kilimnik and R. Pettibone.
Offered: An image of an artist that faces a number of ways.
It makes me want to transform the traversing into bursting.
Makes me want to seek, makes me choose ease all at once.
When it comes to art you won´t fight winds and passions.
Promise and passion sit in those pictures by Knud Odde:
Promise of painting as doing something he always wanted
to do and the passion that makes him do it in his own -
pop-culturally multiple affected ways- like a back-up script
of an artist-musician´s life in contemporary Copenhagen.
Facts falling out of my head. Pushed to the heart of perception
as an intimate participation. Hearing odd histories. Ayleresque.
He did great things up North. There are some souls out there,
man sailors of the world. Created by Copenhagen. I guess
Odde (odd!) is one of them.
See you again, when I get there, Baby!
Jutta Koether.
New York. 7th of March, 1999.
|
|
|